Marcelo alvarez model biography for beginner

Since the beginning of his career in , he has maintained an active touring schedule and debuted in 34 roles. In addition to his opera and solo recordings, he has made an album honoring the popular songs of Argentine tango legend Carlos Gardel , as well as an album of classical duets with Salvatore Licitra. He has won notable awards for vocal performance and is considered one of the top tenors of his generation, receiving high acclaim [ 1 ] for his passionate yet refined delivery in bel canto roles, French opera , and as of , more dramatic lirico pieno full lyric and spinto roles.

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In spite of this musical background, he went on to study economics at university, and for 12 years the study of music was completely out of his life. At the time, he did not know much about opera at all, but in he started commuting to Buenos Aires for voice lessons with Norma Risso. It was a hour trip by bus, but he was determined. Risso was so impressed with her student that she told him that within five years he would be singing all over the world, a prediction that proved accurate.

By fortunate coincidence, the legendary tenor Giuseppe di Stefano heard him at one of those auditions [ 5 ] and urged him to go to Italy. Ismael Pons invited him to perform another zarzuela, Marina zarzuela , in Menorca, Spain the next year and recommended him to Spanish baritone Juan Pons [ 9 ]. These early performances enabled him to cultivate his voice and acting skills, and with the confidence he gained from those beginning experiences and the enthusiastic encouragement from di Stefano and Pavarotti, he and his wife decided to sell everything they owned and move to Europe to expand his opportunities for a career as an opera singer.

He went to Spain and performed the zarzuela Marina and then moved to Milan in July. The management gave him his choice of what he would like to perform for his role and house debut and he selected the challenging role of Elvino in Bellini 's La sonnambula. In addition, Italian mezzo-soprano Franca Mattiucci was his artistic advisor during this time.

He debuted in a demanding number of new roles in Italian bel canto and French operas, completing ten role debuts during the first five years of his career and marking his rapid ascent onto the international scene. Alfredo in La traviata and The Duke in Rigoletto became his signature roles for this time period, with performances of each of them.